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19.10.2011

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The wattle will readily grow on the treeless plains of Texas, New Mexico and Arizona, the bark of which ought to yield five dollars per acre counting the fuel as nothing."--Invention. [Illustration] Entering the handsome galleries of the American Art Association, one finds the lower floor given up to the Barye bronzes, while the upper rooms are devoted to the "Angelus" and the paintings by Millet and other contemporaries of the great French sculptor. Passing on the left of the entrance the superb, large bronze of "Theseus battling with the Centaur," one is fronted by the great cast of the "Lion and Serpent," which from the centre of the gallery dominates the surrounding exhibits. Both of these are the property of the Metropolitan Museum of Art, the cast having lately been presented to that institution by the French government. Upon the right hangs Bonnat's vigorous portrait of Barye, on the left wall one sees the water-color of the "Tiger Hunt," and all around are cases, groups and isolated pieces of the bronzes. Here are over 450 works in wax, plaster and bronze, of which Mr. Walters contributes one-fourth, while the Corcoran Gallery sends its entire collection, numbering nearly a hundred, Mr. Other contributors, who have followed their generous example, are Messrs. Of many of the subjects there are several copies, and amateurs can study proofs and patinas to their heart's content. Walters's famed collection are the four unique groups modelled for the table of the Duke of Orleans, chief of which is the "Tiger Hunt," where two of the huge cats attack an elephant from whose back three Indians defend themselves with courage. The giant pachyderm writhes his serpent-like trunk in air and plunges forward open-mouthed, trumpeting with pain from the keen claws of the tigers hanging on his flanks. The Hunts of the Bull, the Bear and the Elk are worthy companions of this magnificent bronze, offering wonderfully fine examples of condensed composition in the entwined bodies of men and beasts, and filling the eye with the grand sweeps of their circling forms.

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